Review: Så som i himmelen (As it is in Heaven) (2004)

27 03 2010

I recently stood before a large audience and told on myself.  I spoke about my true feelings and sheepishly removed the veil covering a deep brokenness.  Some say it took courage to undertake such a feat, I say it took desperation.  Meaningful relationships and true love come at such a price.  I think it a small cost to pay for the richness of knowing and being known.  What a joy to slip into each others’ lives like we do into a comfortable bath rob.  Naked beneath, pretense fled, leaving honest dialogue and a deep sense of belonging.  At its core, this is the story of As it is in Heaven.  A place where voices blend, people are seen, and love abounds.

A Swedish language film nominated for an Academy Award for Best Foreign Language Film, As it is in Heaven tells the story of Daniel Dareus, a physically and emotionally broken world famous conductor who returns to his hometown to learn again how to breath and to love.  As he settles into a town where no one remembers him, the local church choir solicits his help and he reluctantly accepts.  The result is a harmony far greater than that of voices; it’s the joining of lives and the development of rich community.

With an outstanding cast and powerful music, As it is in Heaven’s true success rests in its ability to tell a story that tears down the facades so common in religious communities (all communities, really) to celebrate flawed individuals while elevating our oneness.  Powerful portrayals of honesty and coming to terms with difficult truths abound in this film, yet it never feels heavy or too much for the audience to bear (to which I credit the music).  I again bow in homage to European cinema for casting the best actors for each roll and eschewing the need to fill the picture with the most physically attractive people who enter the casting room.

As it is in Heaven does not move at a blazing speed and the story is not without its formulaic elements, but pushing through those minor concerns will yield a happy harvest of joy for having seen a film that captures the truth of heaven like few others.  The aroma of eternity is found in the grace and right relationships so well displayed in this picture.  Don’t take my word for it, see Heaven for yourself.





Review: New in Town (2009)

7 03 2010

I made a mistake.  I picked up New in Town thinking I’d find a heartwarming, redemptive tale of girl meets boy ending with a happy twist.  Ten minutes into the film, I knew I had something else entirely on my hands.  New in Town is a vapid movie that attempts to cull together all the “right” elements (i.e., brand named actors and a romcom storyline ala The Proposal) only to discover its heart is missing and it doesn’t have anything new or different to say.

New in Town feels very much like a storyboarded film where the director gets lost in making sure all the appropriate romantic comedy scenes are present, but forgetting that what the audience really wants is to fall in love with the characters.  Whether we admit it or not, most of us can live with a subpar plotline if we care about and are invested in the characters.  This film never invites us to care.  For me at least, it’s the small things that help me connect with a film’s characters.  You know, the little idiosyncrasies we all have from the way we brush our teeth to how we prepare our coffee.  These tiny moments are completely missing in this film and their absence spells doom.  Well, that and its terrible acting, uninspired cinematography, lame soundtrack, and limp script.

You must be wondering why exactly I continued watching this film beyond its first ten minutes.  Fair question.  I could lie and say it’s because I believe in seeing a film through to its end credits before I review it, but truthfully it’s because I’m a romantic at heart and wanted to believe that it would get better and redeem itself.  It does not.  I implore you not to see this film, ever.  A friend of mine noted that Renee Zellweger’s name above the title should have be warning enough, and while that may be true, I was sucked in by good cover art and the promise of more.  Don’t be a fool like me.  New in Town is a 100% certified, 90-minute mistake.  Run.








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