The Nines mostly works. A cross between The Matrix (sans the action and violence) and The Sims video game, with a minor nod to the Incarnation of Christ, The Nines asks the question, “What if humans lived in a multidimensional world and were not the players with the highest power rating?” The narrative takes the form of three overlapping acts where the same actors play different, yet related characters.
This type of storytelling creates a perfect opportunity for actors to show their range or lack thereof. Thankfully, the casting director made a fortuitous discovery in Ryan Reynolds who perfectly embodies each of his characters and shows here why he’s now one of the most sought after actors in Hollywood. My only regret is that the screenwriter didn’t write more characters for Mr. Reynolds as I found myself greatly looking forward to what he would be or do next.
Second only to Ryan Reynolds, Melissa McCarthy gives a powerful performance in this film. Have you ever experienced that moment when watching a film when you realize an actor is finding great enjoyment in her craft? Somewhere in the middle of the first act here, I recognized that Ms. McCarthy just loved what she was doing and this not only made her performance stronger, but increased my respect for her.
Outside of the strong acting, the cinematography and lighting deserve special mention. One can tell that the director and cinematography worked hard to create a different look for each of the film’s three acts and did this most successfully with lighting and a strong eye toward color. I know that some may find it gimmicky that the acts were so obviously delineated, but I found it helpful in keeping stories and characters straight.
If I had to name one frustration with the film, I would quickly point to the first act which not only lasts too long, but is the most uninteresting of the three; this is a deadly combination at the beginning of a rather complex film and I fear many viewers will not stick with it to enjoy the richer second act and the fitting conclusion. I recognize that eliminating some of this belabored first act may not be possible as significant foundation is laid for the remainder of the story, but I think another editing pass might have been in order.
For those folks willing to follow where this film leads, you will find yourself a bit confused at times, but satisfied in the end. Unlike a great mass of films produced today, The Nines falls into that special lot that requires critical thought and, perhaps, a dedicated discussion with friends afterward to tease out its many layers and the potential moral(s) of its story. I recommend it.
I watched this last night after reading your review and agree it is worth it. Both main actors are compulsively watchable. Did you watch it with the Director’s commentary? That adds a whole other layer of meaning.
No, unfortunately, I didn’t watch it with the director’s commentary. Now the responsibility falls on your shoulders to provide me with that deeper layer of meaning . . . don’t worry, we’ll do it over a glass of wine so there will be plenty of time and much grace. Looking forward to it!